The relationship between the live and the recorded, or the original Essay

The relationship between the live and the recorded, or the original and the copy, as they are exhibited or explored in a work of performance, film, music or visual art - Essay Example According to the contemporary theory, the performances generally depend upon the synthesis of the live or the recorded version. If there is the rivalry or competition or oppositeness between them, then these two versions can take place in a particular arena sort. It will help the critiques to judge and examine the Vetter mode of performance depending upon the power of each and every aspect. Moreover, quality of a mode generally plays a significant role that help to enhance the quality of performance. This can destroyed by the interaction of these tow mode of work performances. Several characteristics of the recorded and live version have parallel relation or similarities. The connection or integration of these two aspects can diminish or exploit the subtler differences between them. Moreover, several social and communal issues can rise due to the integration of the versions. According to Patrice Pavis (2000), certain artistic motive for the stage video or music performance can be app lied to use any of the existing recorded media. These things generally include the redirection of the emphasizing and attention to the contrast between the living actor, stage environment and stimulations of several audiences of representation and fiction. Sontag has argued that, the utilization of film in the live performance is generally stereotyped version. It has been restricted the fantastic scenes or the dream sequence type moments. These arguments and several academic statements suggest that, there are several